Mark has wanted one thing for as long as he has been married, and he has
never once said it out loud. He wants his wife to own him.
Emily is sweet, ordinary and completely trusting. That last part is the problem.
So Mark stops asking and starts writing. A suggestion here, a phrase there, laid down night after
night under the surface of a woman who has no idea it is happening. He tells himself he is only
unlocking something already in her. He tells himself she would want this if she knew how to want it.
He is careful. He is patient. He is, he would say, being kind.
It works. That is the problem.
Because the woman who comes up out of that trance is not the fantasy he wrote. She is colder than
he imagined and far quicker than he planned for. She takes to it the way a person takes to something
they were always going to be good at, and she does not check with him about any of it.
And she has started to notice the seams. A phrase she does not remember learning. A preference
that arrived fully formed. The particular way her husband holds still when she tests something new,
as though he is waiting to see whether it worked.
She knows something has been done to her.
She has not yet decided what she intends to do about it, and every day she takes to decide is
another day Mark spends learning the one thing he never modelled: a person you have rewritten does
not stay in the shape you chose. She keeps going. She gets further from the script. And the further
she gets, the more clearly he understands that he has handed real power to someone who now has every
reason to use it on him.
He wanted a Mistress. He is going to get one.
He simply does not get to decide what she is like.
The Hypnotist’s Mistress is 23,000 words of psychological tension: hypnosis,
femdom transformation, submission and obedience, trust and betrayal, and control that slips past the
point of no return. Explicit throughout. All characters are adults.
Delivered instantly. Discreetly billed. Yours to keep.
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